Its a funny thing how interests out there vary. I have received more pm's than ever with questions about how I finished some walnut on a recent project. I guess the joinery and construction is more obvious?? I must confess, I am surprised after reading many times how much folks do not like finishing and they just want to be "done with it as soon as possible" in most cases.
Establishing a smooth surface is the key. Everyone can at least agree on that much. How we get there is another matter. I will outline my approach which is a fairly simple path these days. Maybe a small twist here or there but nothing too radical.
1. I mill stock with a planer to thickness and a little. I like to use a smoothing plane to quickly remove the milling marks from the surface. For difficult stuff, I have a York pitch plane and a steep angled blade for my LN low angle jack that I use to get it smooth. Sometimes it just doesn't work. Out comes the scraping tools. I have the old black 2 handled Stanley and I have the old scraping plane to get it done. Now it looks pretty good. Yes I do use sand paper. No I do not use power sanders. I think they create more work for me than helping me reduce the work load. The random orbit sanders leave little ugly swirl marks that are tough to get out. So..
After sanding a bit, its time for a damp cloth wipe over. This raises the grain and fuzz. More light sanding. Dye coat with water stain. Time to fill the grain.
News Flash: Sherwin-Williams makes the finest grain filler I have ever used. The silica is so fine and the binder is great. The only problem is its available only in gallons. Once you try it, you won't go back to the stuff in the quart cans.
You can slop the filler on with a brush or a rag. I like to thin it a bit. I wait about 5-10 minutes and "wipe off the excess with a rough cloth like burlap" to get rid of the excess. edit
Rub it back- with a clean cloth and seal with shellac. Level again with filler. Wipe it back. Shellac sealer. Now I begin fine tuning the colors with artists oil paint mixed with japan colors and turpentine or naptha. I like to add a few drops of Japan drier. Small adjustments. Seal with shellac. Take your time and you will have a nice even surface with nice color.
That's pretty much what I use to get walnut and mahogany to come together.
Most of the time I don't have all of my boards from a single log with the planks cut in numbered order. I'd love to have that but its just not a perfect world. The techniques I use are simple. You don't need spray equipment for this kind of thing. I don't do enough work to warrant a spray booth and air filtration equipment.
Hope this helps and stirs up some additional inputs/techniques
dan
Establishing a smooth surface is the key. Everyone can at least agree on that much. How we get there is another matter. I will outline my approach which is a fairly simple path these days. Maybe a small twist here or there but nothing too radical.
1. I mill stock with a planer to thickness and a little. I like to use a smoothing plane to quickly remove the milling marks from the surface. For difficult stuff, I have a York pitch plane and a steep angled blade for my LN low angle jack that I use to get it smooth. Sometimes it just doesn't work. Out comes the scraping tools. I have the old black 2 handled Stanley and I have the old scraping plane to get it done. Now it looks pretty good. Yes I do use sand paper. No I do not use power sanders. I think they create more work for me than helping me reduce the work load. The random orbit sanders leave little ugly swirl marks that are tough to get out. So..
After sanding a bit, its time for a damp cloth wipe over. This raises the grain and fuzz. More light sanding. Dye coat with water stain. Time to fill the grain.
News Flash: Sherwin-Williams makes the finest grain filler I have ever used. The silica is so fine and the binder is great. The only problem is its available only in gallons. Once you try it, you won't go back to the stuff in the quart cans.
You can slop the filler on with a brush or a rag. I like to thin it a bit. I wait about 5-10 minutes and "wipe off the excess with a rough cloth like burlap" to get rid of the excess. edit
Rub it back- with a clean cloth and seal with shellac. Level again with filler. Wipe it back. Shellac sealer. Now I begin fine tuning the colors with artists oil paint mixed with japan colors and turpentine or naptha. I like to add a few drops of Japan drier. Small adjustments. Seal with shellac. Take your time and you will have a nice even surface with nice color.
That's pretty much what I use to get walnut and mahogany to come together.
Most of the time I don't have all of my boards from a single log with the planks cut in numbered order. I'd love to have that but its just not a perfect world. The techniques I use are simple. You don't need spray equipment for this kind of thing. I don't do enough work to warrant a spray booth and air filtration equipment.
Hope this helps and stirs up some additional inputs/techniques
dan